JVID《E奶美魔女阿姨我不想努力了》

　　The film follows Ava, a young bank professional who is devastated when her husband Dallas abandons a marriage she is determined to fight for. But then fate intervenes, revealing Dallas’ wicked deeds that have trashed their marriage, and once upon a time sabotaged Ava’s destiny to be loved by her true soulmate.

　　2027未来世界，恐怖主义弥漫全球，科技发达，使人类神经系统可用人工磁片来取代。机器人为达到蚕食人类的大阴谋，先了绑架国际间各国领袖，继而派遣机器人复制繁殖以取代世界统治者的霸权。洛杉矶警界的杰出人物「雨水艾力」（奥利佛·顾纳饰）察觉这项阴谋，他寻求各种行动以阻止机器人的野心，而艾力身上却已被植入百分之十三人工器官……

 亨利（加里·库柏 Gary Cooper 饰）是一位热血沸腾的青年，战争爆发了，他自愿前往意大利，成为了一名救护车驾驶员。在意大利，亨利结识了名为凯瑟琳（海伦·海丝 Helen Hayes 饰）的美丽护士，之后，亨利因为受伤被送进了米兰医院，在那里，他和凯瑟琳重逢了。住院期间，亨利和凯瑟琳坠入了情网，凯瑟琳的腹中亦怀上了亨利的骨肉。伤愈之后，亨利回到了战场，却发现我军的士气大跌，处处弥漫着惨淡的气氛。上司开始大量处决涉嫌逃跑的士兵，亨利亦难以幸免，他侥幸逃脱了自己人的枪子，他决定找到凯瑟琳，两人逃离战场，去过他们与世无争的日子。然而，意大利警察的追捕紧随其后，两人踏上了逃亡的旅途。

 讲述特蕾莎修女一生中关键的7天，即她决定离开加尔各答的洛雷托·恩塔利修道院，创立自己的修道会的时期。

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　由连续并相互构陷的恐怖元素和花絮构成。此次《恐怖故事3》跨越时间将故事呈现，“过去”设置在恐怖故事“狐狸窟”，“现在”聚焦在路怒症Road Rage，“未来”段落围绕人工智能“机械力”。向观众展现不同的元素，释放不同恐怖刺激时本片的内容和目标。