性福汤屋
《性福汤屋》线上看,由小川钦也导演,筱田优 绫濑恋等演员领衔主演,影片主要讲述了,性福汤屋"
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野兽之日
亚历克斯·安克吕罗,特雷勒·帕维斯,娜塔丽·塞瑟尼亚,安东尼奥·德·拉·托雷反叛行动
丽兹·格林尼,梅根·布恩,思凯·卡茨,菲利普·文切斯特,阿丽克斯·维拉雷特,Ollie Roddy,Kaine Buffonge,Will Pierson,约纳斯·阿姆斯特朗,Errol Trotman-Harewood,Orlin Pavlov,Hristo Mitzkov,马克斯·克劳斯,Charlotte Weston,Alexsandria Ralev,玛丽安娜·斯塔尼切娃,内森·库珀,伊丽莎白·吉布森,丹·凯德,Anaya Yalamov,William Smalley,Todor Todoro拼图杀机
池承炫,李世美,姜其永,杨明宪,英健,方秀衡,姜多贤,宋东焕,元贤俊,박상혁,赵润镐大怪兽的善后处理
山田凉介,土屋太凤,滨田岳,小田切让,菊地凛子,二阶堂富美,染谷将太,松重丰,西田敏行,真岛秀和,浅野堇,田中要次,有园芳记,银粉蝶,六角精儿,布施绘里,矢柴俊博,笠兼三,MEGUMI,岩松了,岛田久作,笹野高史,木户大圣霹雳奇幻生死一剑
鸟海浩辅,诹访部顺一,桧山修之,千叶一伸,安元洋贵,大川透,户松遥,小山力也,佐佐木义人,拜真之介,福西胜也,巴多利胜悟,西川贵教,鹤冈聪,黄文择,新垣樽助,高垣彩阳,速水奖,小西克幸,黄汇峰女囚大队
宋春丽,周虹,申艺芽,阿岚,韩影,艾丽娅同类推荐
一起在一起
帕蒂·哈里森,艾德·赫尔姆斯,赵家玲,蒂姆·夏普,诺拉·邓恩,弗雷德·迈拉麦德,泰格·诺塔洛,胡里奥·托雷斯,伊万·乔尼凯特,苏芙·布莱德肖,乔·费尔斯通,David Chattam,海蒂·门德兹,埃伦·杜宾,梅·卡拉美维,塔克·斯莫尔伍德,特丽·霍约斯,安娜·康克尔,凯特琳·金博尔中年单身程序设计师马特决定要当父亲，通过面试找到26岁的咖啡店服务生安娜代孕生子。安娜因与家人关系僵化，搬至旧金山，她希望通过代孕能获得供自己完成学业的钱。在孕期马特积极介入安娜的生活，事无巨细，安娜也逐渐接受马特的亲密，彼此敞开心扉，建立了一段不太寻常的友谊。
玩具当家
贾梅尔·杜布兹,丹尼尔·奥特伊,西蒙·法留,爱丽丝·贝拉迪,Anna Cervinka,安东,Laurent Saint-Gérard,萨利姆·基萨里,露西娅·桑切斯,Dorylia Calmel,何杜安·阿迦南,吉勒·科昂,马赫迪·阿拉维,Selim Karrouchi,Harmonie Temmam,Wabinlé Nabié,Jason Mvembo-Lemena,Moos Bela,纪尧姆·布尔斯坦,尼基·马伯特生活拮据的萨米（贾梅尔·杜布兹 Jamel Debbouze 饰）和妻子艾莉丝（爱丽丝·贝拉迪 Alice Belaïdi 饰）即将迎来他们的宝宝。为了维持家庭生计，萨米只能在一家高级百货公司找到工作，以获得稳定的薪水。在一天的上班日，亿万富翁菲利普（丹尼尔·奥特伊 Daniel Auteuil 饰）的独生子亚历山大（西蒙·法留 Simon Faliu 饰）突然出现在萨米的面前。亚历山大命令萨米成为他的“生日玩具”，要求他在富豪家族中扮演特殊的角色。 尽管萨米感到困惑和不情愿，但面对高薪的诱惑，他最终答应了。然而，随着萨米深入富豪家庭的生活，他开始发现一些不可告人的秘密。原本毫无关系的两个家庭也因此迎来了天翻地覆的变化。
甜蜜蜜：7510
柳海真,金喜善,陈善圭,韩善伙,车仁表,任时完,高我星,李俊赫,廉惠兰,金基天,郑雨盛该片讲述在食品公司上班的母胎单身研究员（刘海镇饰）和带孩子的单亲妈妈（金喜善饰）之间的爱情故事。
不能说的秘密 韩版
都敬秀,元真儿,辛睿恩宥俊(都敬秀饰)是一位在国外留学的优秀钢琴家，他为了治疗手腕回到家乡，成为韩国一所音乐学院的交换学生。有一天，宥俊在校园的旧练琴室偶遇了正在演奏神秘曲目的贞雅(元真儿饰)。随着他们相处的时间越来越长，爱情逐渐萌芽。然而，贞雅却一直保持距离，用她神秘的行为让宥俊感到困惑。当贞雅某天突然消失后，宥俊开始寻找她的下落，并发现了她的隐藏秘密…
嗨，妈妈！
罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment