性感模特

诅咒：纳扎尔

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

至尊马蒂

　　为了实现一个无人相信的伟大梦想，马蒂去了一趟地狱。　　年轻迷人的马蒂，渴望名声、荣耀，以及遥不可及的“世界乒乓球冠军”头衔。为了梦想，他什么都能做到。穿越纽约、巴黎、伦敦、开罗与东京，他在无数的挫折与考验中前行，遇见了挚友、恋人与伙伴，也一次次在胜败之间重生。最终，他开创了自己的伟大道路，也领悟了荣光的真正意义。