晚娘2012(上)

评分:0.1 播放:31万 更新:2026-05-10

剧情简介

真达拉(马里奥•毛瑞尔暂无内容Mario暂无内容Maurer暂无内容饰)的母亲因为难产去世,痛失最爱的父亲将他视为这一切的罪魁祸首。祖母的阻挠让真达拉免于被扼杀于襁褓的命运,却无法帮他逃过其后的日子父亲各种的残酷手段与言语的折磨。后来,父亲娶了新的妻子华姨,并生了一个名叫乔的女儿。父亲把所有的宠爱都给了乔(西野翔暂无内容Shô暂无内容Nishino暂无内容饰),从小给她灌输着仇恨真达拉的观念。母亲去世后父亲像变了一个人一样,过起了荒淫无度的生活,真拉达亲眼目睹这父亲变态的性爱游戏,在这种充满欲望的生活氛围中长大。一天,父亲带着性感成熟的新欢晚娘回到家中,就在真拉达被诬陷强暴妹妹乔而被赶出家门的时候,晚娘发现原来自己早已迷恋上了年轻的真拉达,一场不羁的伦理纠葛就此展开…

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影片档案

片名
晚娘2012(上)
分类
青春
评分
9.0
播放量
52万
类型
青春
更新日期
2026-05-10
地区分类
传记

演员阵容

李瀚
科恩兄弟
迈克尔贝
刘镇伟
许秦豪
关锦鹏
徐静蕾
周星驰

影评专栏

这种人都不配做父母

— やつはし

拿图吱声[:a快乐:]

— 涟ライカ

一部超级好看的漫画,力推!“全漫无刀”

— 御景椿

哇还有谁不知道我获得了#·兔兔#的第NO.01260126个主题编号嘛?支棱起来了xdm!

— 李华成

速速更新,作者多更一堆月票等着呢,更的慢就看盗版!

— 정다금

欢迎收看岁月是把杀猪刀系列

— 扇ゆずは

这村路有点现代了感了![:a无奈:][:a无奈:][:a狗头:]

— 嶋次郎

现在才注意到,瑞瑞的高领内衫,钱错要不要解释一下?(๑╹ヮ╹๑)ノ

— 羽澄しろ

观众热评

立野真琴

天赋哪儿有开挂重要[:a狗头:][:a狗头:][:a狗头:]

桂小町

觉得同性恋好恶心的人我不跟他客气[:a生气:][:a生气:]

李宇镇

求求了再更一话吧,他们什么都会干的[:qieniangqbq|搞快点:]

みーち

动画打了马赛克,看不清脸,这个差点吓死,手机屏还离得很近

间宫法子

很好看,对吧

星谷京

我来科普一下

かんち

不过按一般人的视角来看都会觉得沈浪的想法天马行空,但是偏偏他的分析和结果都对得上[:a苦笑:]

三井椿

一个不懂得怜香惜玉的攻,你有什么资格要一个高智商的受。

NOAH

煎饼果子好辣~[:sw害羞:]好香啊!钱错把持不住啊啊!

神奈木智

剧情很好看可惜要永久券如果是借阅券就好了,非常棒的一部漫画

塔夜缀

谁懂啊,我第一次画错错,好像还可以哟

本郷地下

这好办啊,三国水浒西游记,说岳隋唐杨家将,说几年都不重样

本周票房排行

院线排片信息

正在热映
晚娘2012(上)
影片类型
青春
同类热播
青春
观众评分
4.7
累计播放
60万
更新时间
2026-05-10
类型推荐
传记
题材分类
冒险
风格标签
惊悚

同类型经典对比

毒蜂

新型毒品“蜜蜂”在江州毒品市场肆虐,随着研制者“毒蜂”被缉拿归案,其配方也面临消失,毒界变得风声鹤唳。主人公段成(富大龙 饰)在一次押送途中越狱,并对外宣称自己是“唯一知道蜜蜂配方”的人,面临配方重出江湖的巨大诱惑,多方势力开始对段成展开威逼利诱。经历追杀、强行被注入毒品等非人折磨后,段成渗入毒巢,以“诱饵”身份一步步接近大毒枭“蜂王”……另一方面,江州警方的“捕蜂人行动”也正式启动,一场正与邪、善与恶的黑白对决一触即发……

富大龙,许亚军,高梓淇,侯勇,吕良伟,王斑,郑晓宁,张苡宁,张静静,白庆琳,方姝晴,袁帅

杰出公民

  小说家丹尼尔(奥斯卡·马丁内兹 Oscar Martínez 饰)从刚出道起事业就顺风顺水,如今更是获得了诺贝尔文学奖的殊荣,攀登上了职业的顶峰,然而这荣誉却并未带给他满足,恰恰相反,丹尼尔担心名声和财富会夺走他文学创作上的灵感与锋芒。  一晃眼五年过去,丹尼尔热度不减,邀约和奖项不断,可冷淡而又避世的他只教助手一一回绝。一封来自小镇萨拉斯的信吸引了丹尼尔的注意,萨拉斯是他阔别已久的故乡,如今邀请他踏上故土,接受“杰出公民”的奖项,在未告知媒体和朋友们的情况下,丹尼尔独自踏上了返乡的旅途,在那里,他再度见到了曾经的恋人艾琳(安德丽娅·弗里杰里奥 Andrea Frigerio 饰),如今的艾琳早已经嫁为人妻,而她的丈夫正是丹尼尔的旧友安东尼奥(达迪·布列瓦 Dady Brieva 饰)。

奥斯卡·马丁内兹,达迪·布列瓦,安德丽娅·弗里杰里奥,诺拉·纳瓦斯,曼努埃尔·维森特,马塞洛·丹德烈亚,贝伦·沙瓦纳,古斯塔沃·加尔松,朱利安·拉基尔·泰拉里尼,艾玛·里维拉,尼古拉斯·德·特蕾西,丹尼尔·卡尔吉曼,亚历克西斯·洛佩兹·科斯塔,莱昂纳多·穆里亚,佩德罗·罗斯

象山发光事件

  十年前的一次超自然发光事件导致张鹏(小沈阳 饰)的好友神秘失踪,十年后,张鹏跟随摄制组重返事发地寻找真相。当他们再次来到“发光禁地”时却频繁遭遇离奇恐怖的事件,认知逐渐错乱、躯体不断恶化、理性逐步崩坏,禁忌的骇人真相,将不可逆地摧毁一切……光源不再象征安全,请远离所有发光体!

小沈阳,王唯,张登平,倪景阳,田理,董芷依,胡涂,李欧,孟和乌力吉

等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

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  Can I Get a Witness? tells the story of a mother and daughter in a near-future world where huge sacrifices are made to maintain life on Earth.  With its resources swallowed by e-waste and overpopulation, the world is experiencing an anthropogenic collapse. To manage, technological advances are shunned. Nobody has electricity and only people with exceptions are permitted cars. Most importantly, there is also a collective agreement that nobody is allowed to live beyond the age of 50.  Oh’s Ellie lives with her teenage daughter Kiah (Keira Jang), who is starting her first day as a Documenter, an important role in this new world order. She uses her artistic gifts — beautifully conjured in animations — to draw the dying ceremonies, since printing and photography have been banned.  Kiah is paired with Daniel (Joel Oulette), the young man who performs the contractual elements of each person’s end-of-life ceremony. He matter-of-factly provides the packages a person can choose, sets them up when the time comes, and performs the burials. But his new coworker is having a hard time handling the emotional impacts of the job.

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