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大革族四大勇士之元泰、勇士昆布倒戈卖国投降，元泰引西暌族和南离皇族联军攻革，大革族族皇自杀身亡！蔡八儿提着七孔刀逃亡，在山林里救了被狼群养大的小男孩，蔡八儿为小男孩取名祖澈，蔡八儿和祖澈隐居十五年后，祖澈长练得一手好刀法，光复大革国。

在科钦堡，一群不合群者联合起来创建了一个摔跤团体，他们面临内部竞争和滑稽的打斗，并随着成长去应对更大的障碍。

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster