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一个外星人家庭在不幸意外地被美国探测太空船携回地球,他们在一阵混乱中冲出太空总署逃向沙漠,但小外星人麦克与家人失散,溜上了不良于行的艾瑞克家人的旅行车而跟著车到了内华达州。麦克在一次意外事件中救了艾瑞克之后,与艾瑞克兄弟和邻居女童黛比等人结为好友,并要求他们协助搜救在沙漠中垂死的家人。艾瑞克一行人终于在麦克的指引下找到他的家人并带他们回家,却不意在超级市场中造成骚动,警方及尾随而来的科学家们企图抓住他们而引发了冲击…
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
丹麦悬疑犯罪片,该片刷新丹麦国产片票房纪录,是系列电影《悬案密码》的第四部,也是最终章,《悬案密码》系列改编自丹麦小说家尤西·阿德勒-奥尔森(JussiAdler-Olsen)的同名小说,
从汉城转学到父母家乡的高中后,李玉甄(李世恩 饰)受到班里四个女生的欺负,为了报复,她和另外两个也常受她们欺负的同学玩起请笔仙的游戏,笔仙请来后,李玉甄施下诅咒,但也被鬼魂附身,不久,四个女生中有三人相继以自焚的方式死去,警察调查后,将目标人物锁定为李玉甄,可是此时李玉甄已 完全丧失记忆。 新调来的美术老师李恩珠(金圭莉 饰)第一天上课点名时,喊到29号金仁淑的名字时,全班同学厉声尖叫,令她十分不解,在心仪她的同事的帮助下,她发现有关金仁淑的秘密,而这个秘密,也与李玉甄及死去的三名女生有很大干系。
一个从事打扫工作的女子为纽约一座摩天大楼中的富人家工作,却被告知这里有一个供奉撒旦的邪教,每个月要杀一个人作为祭品,“今晚,选中了你……”
罗美兰、金武烈、尹京浩将继续合作出演《正直的候选人2》,续集依旧由张幼珍执导。将讲述罗美兰挑战道知事选-举引发的故事。他们三位饰演的角色与前作一样。 计划下半年开拍。
用户影评
隐藏受梦女别发言了行吗,e不ex。
他原来说的是他的衣服过时了。他从来不会辜负错错子的真心。
算了,老子的脑袋数学从来倒数第一,就不凑热闹了,跳过
经典且借诗点明暗!
期待😚已经没有什么漫画可以让我期待了你是一个
不是说改名了吗?(我是新入圈的,别喷我,我啥也不知道)
发个图,应该有人要吧,没有就尴尬了🌚💦
小鸟和陈大师[:a狗头:]拿图吱声[:a滑稽:]
给不能截图的姐妹~拿图记得吱一声
越王是真的巴不得沈浪是自己儿子,可惜不是[:a滑稽:]