B型水多火辣的小姨子

　　在父亲的小餐馆发生了可怕的案件后，Nancy决定独自值完当晚的最后一班来收拾残局。但她不知道，自己并非孤身一人，她必须在漫漫长夜中为自己的生命而战。

　　三年前的 8 月 31 日，突如其来的“侵略者”，—艘巨大的“母舰”降落至东京上空，世界似乎迎来了终结……在那之后，绝望融入了日常生活，巨大的圆盘飘浮在上空的世界持续到现在。小山门出、中川凰兰两个高中少女，在这个走向终结的世界中，挥洒着自己的青春时代。

在开往家乡的客运上，恩浩（具教焕 饰）遇见了休学后下定决心要前往某处的正媛（文佳煐 饰），产生了一段不可思议的缘分。为彼此的梦想加油的两人，不知不觉地深入对方的生活，成为了一对恋人。一同欢笑、争吵、和解的两人，虽然拥有了世上最炽热的爱，但面对残酷的现实，两人最后仍选择分道扬镳。就这样过了10年，再次遇见彼此的瞬间，恩浩问了正媛一直很想问的问题“如果我们……”                                                                      　　影片改编自2018年刘若英执导的《后来的我们》。

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster