超级床上接班人

　　改编自1930年代英国真实事件，一位牧师莱纳斯（约翰·赫夫南 饰）被教会任命为代理牧师，他带着妻子玛丽安（杰西卡·布朗·芬德利 饰）与女儿小爱搬进一座神秘庄园。　　但在他们入住这间屋子不久后，奇怪事情接二连三发生，除了在半夜会听见呢喃声，还会看见陌生的修道士身影，女儿小爱的行为也越来越陌生，随着被骚扰的次数越来越多，莱纳斯和玛丽安不得不寻求著名的捉鬼专家哈利（西恩·哈里斯 饰）帮忙。　　他们必须一起揭开真相，找出这栋房子的超自然力量还有它可怕且惊人的过去……

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　故事设定在近未来，由于人口过剩和饥荒，政府不得不实行“独生子女”政策。正因为这个严格的计划生育议程，姐妹们必须轮流使用一个人的身份Karen Settman(拉佩斯饰)。她们的祖父(达福饰)给其命名为周一、周二、周三、周四、周五、周六和周日。每个人都可以每周外出一次。姐妹们只有在自己的公寓里才可以自在生活。直到有一天，“星期一”没回家......

　　一名男子打电话给孟买警方并告诉他们，他已经把5个不同的炸弹安置在城市之内，并已经设定在同一时间爆炸-他希望以此交换4名恐怖分子。他是否能换回他们？背后的黑手是谁？动机又是什么呢？是否不是表面上看起来那么简单呢？