私家侦探:平冈公主和愚温达
剧情简介
艾旦影视 KangHyeon-joong,aformerNationalIntelligenceServiceagent,iscurrentlyrunningaprivateinvestigatorofficeafterhequithispreviousjob.HanMi-soishissecretaryhelpinghimwithhisdailytasksintheoffice.Oneday,KimJin-heecomestothedetective’sofficeandrequestshimtoinvestigateallthewomenwhofollowherhusbandaround.Sheintroducesherselfaswi...
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演员阵容主要角色
绝世武功招式谱
无招胜有招,以意驭剑,破尽天下武学
至刚至猛,掌力所及,摧枯拉朽
身法飘逸,闪避间如履薄冰又若御风
以气为剑,六道剑气纵横无敌
人物关系图谱
观众点评
宁政:竟敢逼宫,这已经不是一般的考生了,一空输,出动!
唉,舔狗舔狗,舔到最后一无所有,我为啥会哭?
emmm,快两个月了
现在吼妻这么厉害,以后就得跪着求妻[:a笑哭:][:a笑哭:][:a笑哭:]
雨总去掏名片时钱错的表情
宁景是不是脑子不好使,你母家那边都被人杀光了,还搁这嘲讽呢[:a吃瓜:]
斩草务必除根,他儿子已经死了,老登要是放过以后一定是祸患
依旧美丽哈[:a可爱:]
雀食,当人突然拥有实力和财富,就会控制不住自己的欲念[:a马赛克:]
呜呜洼咔咔我这么大一个豪车上哪去了,我想看
同类古装佳作
悬崖绝壁
故事以19世纪的开曼群岛为背景,索尔达娜饰演居住在加勒比海地区的埃克塞尔,这是一个非常强势的女性角色,当她的岛屿被凶残的海盗入侵时,她过去的秘密将被揭开。
咸鱼翻身
此片主题为讲述两代人为胜利与人生尊严拼搏不息、最终实现足球梦的励志故事。
钻石般的她
「人可生如蚁而美如神」:一班裁制亮丽戏服的中年裁缝慨叹自己生如蚁,一名奥斯卡导演拍出她们美如神的生命。导演邀约一众他热爱的演员,重塑一家高级裁缝工作室色彩斑斓、五味集陈的过往,追忆70年代一班坚毅温柔的女裁缝的故事:表面盛势凌人却细腻体贴的老板、善良却抑郁的妹妹拍档、单纯的寡妇和她的小儿子、偏爱小鲜肉的姨姨、被家暴的妻子、昔日美艳的舞者、逃避通缉的少女⋯⋯一群日常女子抛开小我、互相照顾,照亮平凡生活中超越自我的不平凡,展现她们的独立、爱欲、挣扎和力量。意大利金像奖观众人次最高奖意大利银丝带奖年度电影
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster