为年轻儿媳按摩的公公

　　Two New Orleans detectives become embroiled in a centuries-long feud between two secretive factions of vampires while investigating a runaway child's case. Torn between their everyday lives and the dangerous lure of immortality, the detectives must race to destroy the evil Moldero clan.

　　中里博士は人間を透明にする薬品を密かに完成させるが、秘密をかぎつけた謎の男が薬を奪い透明人間になって、希代の宝石“アムールの涙”を強奪しようとする。円谷英二が大映京都撮影所で、「虹男」に続いて特撮を担当した話題作である。

 “人生路上步履不停，为何总是慢一拍”。位于偏远小镇的横山一家，生活平静祥和。父亲恭平（原田芳雄 饰）是业已退休的医生，却时时牵挂小镇诊所内的事务。长子纯平继承了父亲的事业，却在15年前为救落水儿童而溺水身亡。次子良多（阿部宽 饰）与父亲意见相左，执意前往异地当起了绘画修复师。多年的打拼换来的却是失业，困顿的良多与带着孩子的由香里（夏川结衣 饰）结婚，相互扶持，继续生活。又逢纯平的忌日，良多和姐姐千奈美（YOU 饰）带着家人分别赶回家中。平静的横山家再次热闹起来……本片荣获2009年蓝丝带最佳导演奖和最佳女配角奖（树木希林）、2008年报知电影和2009年电影旬报最佳女配角（树木希林）、2009年每日电影奖最佳男主角（阿部宽）、2008年马塔布拉塔国际电影节评审团大奖和最佳影片。

　　哈蒙德（理查德•阿滕伯勒 Richard Attenborough  饰）立志要建立一个非同寻常的公园：恐龙将是这个公园的主角。他把众多科学家收归旗下，利用琥珀里面困住的远古蚊子体内的血液，提取出恐龙的基因信息，利用这些信息培育繁殖恐龙。结果如愿以偿，他把怒布拉岛建立成了一个恐龙公园，坚信可以从中赚取大钱。然而，科学家们则忧心忡忡。　　不幸的事情果然发生了。虽然公园有电脑系统管理，但却因为被员工破坏而造成了无法挽救的失控：所有的恐龙逃出了控制区，人们纷纷逃窜却逃不过恐龙的魔爪。恐龙自相残杀，人们亦死难无数，最后幸存者寥寥，只得四人逃出生天。怒布拉岛上空弥漫着恐怖的气息。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

　　The pic is set in the aftermath of an apocalyptic event that forces people into extreme isolation. A father (Moyer) and son (Van Acker), who have been living off grid for 20 years, encounter an outsider (Silverstone) who threatens to destroy the utopia they’ve built.