纳粹军妓爱情实验营
剧情简介
aaa Seemsthewhiteracejustisn'tsuperiorenoughforthosenastyNazis.InasecretSSLoveCamp,ghastlyexperimentsarebeingconductedtocreateanewsuperrace.Amidstthetoutureandrape,aweeet-n-tenderNazinamedHelmutfallsinlovewithoneofthelovelytestsubjects.Butitdoesn'tendthere,wordgetsoutaboutHelmus'svirilitydrivingtheimpotentcolonelnutsw...
在线观看高清
演员阵容主要角色
绝世武功招式谱
无招胜有招，以意驭剑，破尽天下武学
至刚至猛，掌力所及，摧枯拉朽
身法飘逸，闪避间如履薄冰又若御风
以气为剑，六道剑气纵横无敌
人物关系图谱
观众点评
好漫画不嫌长。长的人心疼。
在不知情的人看来，沈浪的的计划和如何用三步把大象装进冰箱一样的计划一样[:a狗头:]
发个帖子记录一下喜欢的漫画么么哒～
笑抽了，对面什么人都不搞清楚就敢这么猖狂[:a狗头:]
干得漂亮，就酱拖回去，扔床上，关上门，然后……呵呵呵呵呵呵呵
经典且借诗点明暗！
看完这个小说了，我觉得打完炎帝国就算OK了，非得反转升华一下，搞得岁月论，看的好难受
友友们，氦气自杀的方法我试了（有医护人员陪同，只吸了一分钟）不要模仿，有窒息感，很难受
会等的，大大慢慢画天启篇完毕后可以开新番外了，雨总的美貌我离不开哇
年紀大就不要太拼命了，可以換我來[:a滑稽:]
同类古装佳作
街尾之宅
结束了一段破败的婚姻，干练自强的凯瑟琳（伊丽莎白·苏 Elisabeth Shue 饰）带着女儿艾莉莎（詹妮弗·劳伦斯 Jennifer Lawrence 饰）远离芝加哥，搬到了一处位于州际公园丛林深处的房子居住。这里风光秀美，景色宜人，深得母女二人的欢心。美中不足的是，附近一处住宅四年前曾经发生惨绝人寰的杀人案件，失踪的女儿更成为当地人口中盘桓不去的幽怨鬼魂，这一切令人不免心怀惴惴。未过多久，心情烦乱的艾莉莎结识了那户悲剧人家幸存的独子瑞恩（马克斯·希尔莱耶 Max Thieriot 饰）。 短暂的交流让艾莉莎隐隐从瑞恩的身上找到些许认同感，却不知这名看似敏感纤细的男孩，心中隐藏着怎样黑暗的秘密……
回到从前
故事发生在1990年，美国一名汽车修理工约翰·格雷（大卫·丹席克 David Dencik 饰）因涉嫌猥亵自己的女儿安吉拉（艾玛·沃森 Emma Watson 饰）而遭到逮捕。负责调查此案的警官布鲁斯·肯纳（伊桑·霍克 Ethan Hawke 饰）对约翰展开问询，而在这一过程中约翰起先承认罪行，随后又突然失忆。为了应对这一突发状况，心理学教授肯尼斯·睿恩斯博士（大卫·休里斯 David Thewlis 饰）也介入调查之中。他们发现，约翰信奉崇拜魔鬼撒旦的黑宗教，甚至布鲁斯的搭档都有可能参与其中。布鲁斯和肯尼斯想方设法要打开嫌疑人和受害者的记忆闸门，让他们想起最不堪回首的一段往事…… 本片根据真实事件改编。
庇护之地
隐居孤岛的特工界黄金王牌迈克尔·梅森（杰森·斯坦森 饰）本想就此隔绝过往，一场风暴却让他救下少女杰茜（博德希·蕾·布里纳希 饰），命运的齿轮彻底反转……他们的行踪不慎暴露在严密的监控网络之下，神秘势力的追杀接踵而至，无路可退的梅森被迫重操旧业，携手少女开启生死突围之路。 面对顶尖特工小队和冷血杀手的轮番围剿，梅森一路火力全开：近身肉搏、飞车追逃、枪林弹雨，硬核爽战全程高能！随着追杀不断升级，层层阴谋被逐一揭开，互相防备的两人成为彼此唯一的依靠。当滔天阴谋席卷而来，他们能否冲破死局？这份绝境中的守护，又会成为铠甲还是软肋？
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.