已婚护士的慰藉

　　In the year 2961, the time is after humanity and nature has recovered the land. A hunter named Cygnus is called to rise above his duty. He provides for Last Arc, a once nomadic band of survivors in need of food and water that is now growing scarce. The answer must be found before a group of outlandish Heretics descend upon them. Cygnus must voyage across the treacherous landscape to defend his people. Sent by Nova, the matriarch of the band, she acts based on her vision for Cygnus to find a seed of hope. The future of Last Arc is for him to discover, Cygnus ventures into a hostile landscape in search of an answer for his people. On this journey of encountering many traps and dangers, Cygnus discovers what has been hunting him is his identity.

未来世界，在一艘名为“苍穹号”的飞船上，船长梁承天带领着船员们经常在星际之间从事采集矿物质的买卖，以此来获得巨大的经济利益。虽然他们在多次采集过程中偶尔会遇到危险，但最终也都能安全返航。                                                                      　　直到这次，梁承天带着船员们在银河系中，意外找到一颗六千万年前爆炸的超新星，他们在附近采集到了稀有的矿物质，从而能获得巨额利益。可因利益分配不均，各怀心事的船员们就此踏上返航之旅。                                                                      　　在返航途中“苍穹号”意外接到了一组未知的求救讯号。他们成功救下了“创世纪号”的生物学家林修远和他的妻子Angel，而梁承天在救援的过程中也意外受伤。

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

西南偏南电影节剧情片竞赛。                                                                      　　Nellie and Daisy attempt to escape the institution for delinquent girls in 1954 New Zealand, however not only are they caught, it triggers a relocation to a facility on a remote island. The duo become a trio as well-to-do Lou joins them, and life on the island takes shape under the command of devout Matron. The trio rail against the system, dubious of the benevolence of the bible and taking refuge in their blossoming friendship. It’s hard to reform girls who don’t believe they need reforming. However, a sense of doom settles in when experimental forms of punishment take place in the dead of night. Nellie and Daisy plot rebellion, but unexpectedly find themselves at odds with Lou, who is afraid to break the rules.